Artistic Process

1. Research: In this initial phase, I immerse myself in a rich tapestry of inspiration, seeking to fill my creative well with diverse and stimulating ideas. I am guided by the threads of what ignites my curiosity and passion, allowing my interests to steer the journey. Like Alice navigating the wonders of Wonderland, I attentively follow symbols, clues, and synchronicities, allowing these elements to lead me deeper into realms of exploration.

My areas of fascination include quantum physics, esoteric sciences,  botanicals, symbology, spirituality, and gematria, as well as cuneiform, biology, and ancient mysteries. I delve into subjects such as sacred geometry, botanicals and geology while exploring the realms of cymatics, frequencies, and energy. Concepts such as multiverses, philosophy, religion, hermeticism, psychedelia, and alternative life forms also captivate my imagination. Each topic serves as a stepping stone, guiding me through a complex and interconnected web of knowledge that fuels my artistic vision.

2. Creation: My process begins with experimentation using acrylic paint, watercolour, ink, cut-up collage pieces, hand-marbled paper, and acrylic-poured “skins.” Guided by my mood, thoughts, and emotions, I make spontaneous marks that reveal deeper layers of my inner world and the universe’s messages. This stage is a playful collaboration with the universe, where happy accidents and synchronicities guide the creation.

3. Destruction: In the next phase, I meticulously select and cut out my favourite elements from the experimental pieces. This stage requires a blend of instinct and decisiveness, much like Michelangelo’s intuitive approach to sculpting. It involves discerning which marks to keep and which to discard, often guided by a deep, inexplicable knowing. I approach this task with minimal overthinking, sometimes multitasking with music or podcasts to keep my mind engaged while my hands work.

4. Preparation: I then prepare multiple canvases and panels with layers of gesso primer and coloured backgrounds. I may sketch rough ideas, sometimes incorporating anatomical diagrams or starting spontaneously without a plan. This preparation sets the stage for the subsequent creative process.

5. Contemplation: This stage is where the real magic happens. I spread out all my pieces and marks on the floor, arranging them like a jigsaw puzzle or a stained glass window. This process is a reflection of how I approach life: contemplating each piece and fitting them together to create something new and beautiful. The fragments are assembled until a sense of balance is achieved, with archival-quality mediums used to encase each element in an "acrylic sandwich." Acrylic skins are also integrated, adding texture and depth.

6. Life Force: The final stage, "consciousness time" or “breathing the life force into the art,” involves applying countless tiny dots and particle-like shapes with ink and acrylic. Each dot symbolizes a cosmic breath, representing the expansive energy of the universe. The piece is completed when there’s no more space to add additional dots, signifying the artwork’s fullness and vibrancy.

7. Rest: At this stage, I embrace a period of intentional respite, allowing my mind to clear and rejuvenate. I disengage from all activities and reconnect with nature, grounding myself through its serene presence. I engage in cleansing rituals for both body and mind, immersing myself in water to refresh and renew.

My focus turns to nourishment and cleanliness; I adopt a diet of pure, wholesome foods, tidy my surroundings, and set aside all ongoing projects. This deliberate act of letting go creates space within my vessel—body, mind, and heart—preparing me to be replenished with fresh ideas, concepts, and inspirations. Through this process of rest and recharging, I create the conditions necessary to embark once again on the creative journey, ready to explore anew.